2016 Little Fox Movie Awards (Part 5): Top 16 and Individual Winners

I've had about seven months to sit on this list, so I feel pretty good about most of these. I wanted to watch American Honey, Silence, and Toni Erdmann again before releasing a finalized version of the list, but they're each in the three-hour range and, as you'll see, I'm very much a fan of all three, so I'll just watch them on my own time. So yeah, I'd say I'm pretty content. Otherwise? Everything I said at the start of this venture remains true. Here's the Top 16 Films (yes, I'm extending it to a Top 16) of 2016.

Top 16 Films of '16

1. 20th Century Women (Mike Mills) - No film held me as warmly while stoking a distant, curious, graceful affection for its characters.

2. Things to Come (Mia Hansen-Løve) - Such a subtly precarious vision of entangled ideals/individual choice, the ways in which they do/don’t liberate.

3. Moonlight (Barry Jenkins) - Artful control of a very rare milieu and character-type, even as psychology and drama constantly shapeshift.

4. The Lobster (Yorgos Lanthimos) - Singular vision of totalitarian compatibility and self-isolating rebellion; open to which is a more dubious fate.

The remaining titles on the Top 16 are after the jump:

2016 Little Fox Movie Awards (Part 4): Acting

We're already halfway through 2017 and I still haven't finished my year-end lists for 2016. I'm putting the final touches on the Top 10, which will hopefully be up within the coming days if my schedule permits it. But for now, enjoy my favorite performances of last year! Behold:

Best Actress in a Leading Role

Annette Bening (20th Century Women) - Communicates a million shades of hilarity, resentment, openness, and reticence within single reaction shots and line-readings.

Sonia Braga (Aquarius) - Who appears 30+ years/30+ minutes post-prologue and achieves a sense of enduring ease necessary to survive.

Viola Davis (Fences) - Backgrounding Rose with attentive care in first-half scenes and wearily finding her voice in the second.

Sandra Hüller (Toni Erdmann) - Sustains and brazens through Ade’s precarious comedic tone/setpieces, fluidly transitioning from chagrin, amusement, self-containment, and self-abasement.

Isabelle Huppert (Elle & Things to Come) - Two specific women, equal forms of restraint and nerve, both confounded and intrigued by their reactions.

Matches with Oscar: 1/5. (Viola nominated in Supporting; Bening M.I.A.)

Runners-Up: Portman (Jackie), Stone (La La Land), Steinfeld (The Edge of Seventeen) Adams (Arrival), Negga (Loving), Field (Hello, My Name is Doris), Beckinsale (Love & Friendship), Hightower (The Fits)