Best Cinematography
American Honey (Robbie Ryan) - For the tight, hemmed in corners of its 4:3 frames, binding intimate, sprawling, and social-realist textures.
Arrival (Bradford Young) - For resourceful ingenuity of communication scenes, Tarkovskian wit of clairvoyant memories, and boxed-in framing of Adams.
Jackie (Stéphane Fontaine) - For symmetrical candor at odds with forceful preservation of heritage, and that tricky balance of macabre/elegance.
Moonlight (James Laxton) - For an exciting array of palettes, light, movements, and surfaces, smartly cohering through specific emotional/visual energies.
Silence (Rodrigo Prieto) - For revealing a decidedly austere world less through severe images/content than through metaphysical light and landscapes.
Matches with Oscar: 3/5.
Runners-Up: Lion, Things to Come, The Light Between Oceans, Embrace of the Serpent, Cemetery of Splendor, Café Society, Francofonia, The Lobster, Captain Fantastic


